Cursed (2005)

I went on a bit of a run of Werewolf movies at the start of the year after my disappointment with “The Wolf Man” (2025). After watching six of them I felt I’d cleaned the bad taste out of my mouth, but I had several left over. Naturally, I set some aside for my October reviews. Tonight’s movie is a Wes Craven film that I probably watched when it first came out, but 20 years later had totally forgotten about. I only know I watched it as I already had a rating for it on IMDb. The good news is while I forgot about it, I apparently liked it more this time around. We’ll get to that a bit later.

Wes Craven is mostly known for his two huge successes, Scream and Nightmare on Elm Street. Two franchises that both spawned 7-8 Sequels and a TV show. Between those movies Wes was very hit and miss. While most like “Serpent and the Rainbow” and the first “Hills Have Eyes” films, response to the likes of “Shocker”, “Vampire in Brooklyn” and “Deadly Friend” are mixed to poor. This film falls into the same category. So let’s have a look at it. While Craven directs, with the screenplay written by long time collaborator Kevin Williamson. Cinematography is by Robert McLachlan and music by Marco Beltrami.

Two Wolves

Ellie and Jimmy Myers (Played by Christina Ricci and Jesse Eisenberg respectively) are two orphaned siblings that share a house together and have a somewhat strained relationship. Jimmy is in college while Ellie is an associate producer for a late night TV show. One night while Ellie is driving Jimmy home they hit another car and after recovering and checking on the other car they are both attacked by a monstrous wolf.

Jimmy quickly suspects it is a Werewolf. Ellie though didn’t get a good look and thinks that is Jimmy’s imagination. Despite this, the next day the two begin to experience changes. Their instinct, aggression and strength all seem to have increased. But the changes aren’t stopping there. Jimmy realizes that the Werewolf that attacked them may not want the competition. But who was it? They need to find it, before it finds them! Oh and their dog has the curse too. I have no idea what you call that.

Passing Grade

There is nothing groundbreaking here. The plot is pretty straight forward despite a few swerves on the identity of the Werewolf that attacked them. Having a number of werewolves in the story including the two protagonists dealing with their curse does make it stand out a little, but they don’t really do that much with any of it. The two protagonists get a bit of time each, just enough to show their approaches (Denial Vs Exploration) and how it is impacting them, but little else. The other Werewolves have their identity kept secret and so we never get to explore how they live with the curse. It’s fine, but there were interesting things her that could have been developed.

The protagonists are both likable, which is something often missing in modern horror. Again though they don’t really give us anything new or interesting with them. Given this isn’t a particularly long film it was perhaps a mistake to have two leads, but it’s not a disaster. Craven and Williamson cover everything that needs to be covered and little else. That counts for the whole story, not just the characters. No time is wasted, scenes speed by, often moving on just as they are getting interesting and everything falls into place largely as you would expect it to. The pace means the movie doesn’t drag and it’s well directed and acted the whole way through. The end result is a movie that is reasonably enjoyable, yet also disappointing.

Production Hell

It is worth mentioning that this is a movie that went through it’s own production hell. There are actually at least three very different versions of this movie knocking around in the archives. The first was complete, save for the ending and music. It had very little in common with the released version outside of some of the cast. The movie was then almost entirely re-written and re-shot (Keeping only about 12 minutes) at the behest of Bob and Harvey Weinstein. Part of this seems to have been a desire for a PG-13 rating. The second version, which was complete enough to show audiences in test screenings (And receive a positive reaction), was also largely re-worked after Dimension Films voiced their own complaints.

The first version of the film was a very different story about a serial killer who learns his drive to kill comes from being born with the Werewolf curse. The second version plays up the tragedy side of these movies, something severely lacking in the final version. When seen by people, both versions are always said to be superior to what was released. Still, the final version isn’t all bad. Wes Craven is no stranger to studio interference. He had a similar experience with “Deadly Friend“, with the end result being nothing like he originally intended. At least this time around, the final movie has tonal consistency (Instead of feeling like two different movies glued together).

Conclusion

Overall, this isn’t a bad movie and it does have a Wes Craven feel to it. The acting, characters, plot and effects are all fine. It all works, but you can’t help but feel there was a lot more potential here and it was all wasted. Knowing about the other versions of the story, it seems we almost did get a better movie. Unfortunately, Werewolf movies are hard to get right and it’s no surprise the studio was completely clueless about how to do it. Wes Craven, for his part seems like he did know, but was never able to convince New Line of that. So we got what we got. This is a strong 5.5/10. My original IMDb score was a 4, which I’ve raised to a 6 (Rounding up). I guess it was better second time around.

Rating: 5.5 out of 10.

Deadly Friend (1986)

For today’s review I’m checking in on an 80’s Wes Craven movie that somehow never made it on to my screen until now. This is “Deadly Friend” from 1986. Sandwiched between two of Craven’s best movies 1984’s “Nightmare on Elm Street” and 1988’s “Serpent and the Rainbow” you’d think this was peak Craven, but Wes was never particularly consistent and this movie doesn’t have the best reputation. Then again neither did “Shocker” from 1989 and that is one of my top guilty pleasures (Most of which are in the Horror genre, naturally). So let’s see where this one lands.

BB Thing

The movie was written by Bruce Joel Rubin (Ghost, Jacob’s Lader) and is based off the novel “Friend” by Diana Henstell. It Stars Kirsty Swanson (The future big screen “Buffy The Vampire Slayer”) as “Samantha”, a girl with an abuse drunk father and Matthew Labyorteaux as “Paul”, a boy genius that has just moved into the area.

The plot is more than a little far fetched since right at the start we are introduced to “BB”, a full AI robot that Paul seems to have just thrown together in his spare time. Of course being a horror we are introduced to it strangling a would be thief trying to steal from the family car, not realising the robot was in the back. As the family come back to the car, the robot lets the thief go, but clearly we are meant to know this AI was always dangerous.

Two Minds, One Rampage

Choking aside the first half of the movie has shades of your standard 80’s family movie. The robot reminds me a little of Johnny 5 from Short Circuit (But cheaper, which makes sense given it’s not a military construction), but with a very 80’s slasher movie set up where we are introduced to a string of obnoxious characters that we all know won’t be making it to the end of the movie. None of this is bad though, just a little bit quirky and if you grew up in the 80’s likely a little nostalgic.

The second half of the movie is more of a mixed bag. Following BB’s demise at the hands of a shotgun totting grumpy old woman and Samantha’s at the hands of her father, the pair are effectively merged into the titular “Deadly Friend”. Paul determined to save Samantha (Who is brain dead and about to have her life support cut off) comes up with a crazy idea to use the chip from BB to fix her brain (Likening it to a simpel pacemaker). This is clearly a bad idea, but Paul is a bit of a mad scientist, totally oblivious to the slightly psychotic nature of the AI he created.

Bad Makeup

The biggest problem here is that Kirsty Swanson with excessive black eye shadow and doing the zombie walk isn’t exactly terrifying. But I don’t blame her for that, the set up of being a basically a cyborg zombie doesn’t leave a lot you can do as an actor to be terrifying, it really is down to the make up job and directing and this is one of the laziest make up jobs in monster movie history. They could have ramped up the cyborg part a bit or alternatively not had her be a total zombie, so she can move quickly. But we got what we got. The two main revenge scenes are actually pretty good, though one plays more seriously and the other just made me laugh out loud for the cartoon gore (Spoiler: This features a full on head explosion).

Ultimately the movie feels very confused, like it was trying to be a bit of everything and as a result didn’t really achieve anything of note. Despite a few good scenes and an interesting concept, the movie ultimately just doesn’t work. This narrowly scrapes a 5.5/10, not terrible but definitely one of Wes Craven’s weakest.

Rating: 5.5 out of 10.