Oddity (2024)

Oddity is an independent Irish horror written and directed by Damian McCarthy. Not quite sure how this one came to my attention but the last independent Irish horror I reviewed was the excellent “A Dark Song”, so that probably got me looking at other Irish horrors and this one came up. The film stars Carolyn Bracken (In two roles, though one is brief). She is supported by Gwilym Lee, Caroline Menton and Steve Wall. Colm Hogan provides cinematography and Richard G. Mitchell provides the soundtrack.

“Dani” (Bracken) is murdered at her house late one night while her psychiatrist husband “Ted” (Lee) is at work. A year later and the psychiatric patient that is suspected of the murder is himself brutally slain Tom gives the man’s glass eye to “Darcy”, Dani’s blind sister (Also Bracken), a clairvoyant that is able to learn about that person from their items. She then travels to her sisters house to uncover the truth, bringing with her a large box containing a mysterious wooden statue of a man. Tom has to go to work, but his new girlfriend “Yana” is left at the house. But she is uncomfortable, not just by the company but also the house itself. She keeps seeing visions of Dani. As events unfold, the truth will be revealed.

Two Player Mafia

This is a film with few sets and few actors, but this leads to a major issue as it’s pretty obvious there is no real mystery over what happened to Dani. It’s a bit like trying to play the card game “Mafia” with two players. You know the guilty party at the start. The explanation for motivation feels a little weak at first. The reveal of just the kind of person Ted is helps with that, but also opens a number of potential plot holes. The main issue is the big divide between Ted’s life and his wife’s. They have been married for a number of years. Despite his sister-in-law being a clairvoyant and despite this being something that runs in their family, Ted casually dismisses all the occult. Even when faced with things that have no realistic explanation.

Meanwhile, Ted is a sociopath that has been abusing patients (And occasionally hiring psychotic ones as orderlies) for years. Yet neither his wife nor her clairvoyant sister ever suspected a thing. So while most of the reveals were predictable from the start, the few surprises just damage the films verisimilitude. Now to be fair, I’m sure the film makers knew it would be predictable. I mean, after the initial set up there are only four characters left in the film. One of which is only introduced late on and only after we are told of his involvement. The only question I had was if the girlfriend was involved or not. Whichever way that landed, wouldn’t really add to the mystery.

Conclusion

Fortunately though, Oddity has a solid atmosphere to it. Really, very little happens, but the movie makes the most of the dark foreboding ambiance. A lot of this is probably down to budget restraints, but horror has always worked well in those situations. There’s not much else to it however. Despite being the protagonist Darcy doesn’t really do much. Most of the actual acting here is from Caroline Menton in her role as Ted’s girlfriend Yana. Sadly, she gets a barely passing grade in that regard. Not terrible, but unconvincing. After Yana departs, everyone is basically taking the role of antagonist, including Darcy. It becomes a “Who can be more menacing” competition.

One last positive thing I can say about the movie is the Golem did look creepy. I can tell they spent some time on the design. Which in some ways is a waste because it too doesn’t do much in this film. This is a bit of a theme really. There is no much to this movie outside of atmosphere. The plot doesn’t drag you in or make you think and none of the characters are really compelling or relatable. On Atmosphere alone it could score well, but overall I think the best I can give the film is a 5.5/10. If you like slow burn, atmospheric horror you may enjoy it. On the other hand if you do like that and haven’t seen “A Dark Song” (2016), watch that instead.

Rating: 5.5 out of 10.

The Keep (1983)

For tonight’s movie I’m looking at the 1983 supernatural WW2 horror “The Keep”. This is from Oscar Nominated director Michael Mann. He got his nomination for “The Insider” (1999), he also gave us “The Last of the Mohicans” (1992), “Thief” (1981) and was the first person to bring Hannibal Lecter to the big screen in “Manhunter” (1986.) The Keep is one of Mann’s lowest rated movies, so stands out as a bit of an anomaly in his filmography. It’s also one of the films from the 80’s to feature a Tangerine Dream soundtrack (There are about 20 in all). Mann ‘s screenplay is an adaptation of F. Paul Wilson’s novel by the same name . Alex Thomson provides cinematography and it’s worth mentioning this was made only a couple of years after he performed that role for “Excalibur” (1981). I can definitely recognise a similar style.

The Keep is set in 1941 in Romania following the commencement of Operation Barbarossa. Captain Woermann (Jürgen Prochnow), arrives at an uninhabited citadel known as ‘the Keep’ with the aim of taking control of the Dinu Pass in the Carpathian Mountains. The fortress isn’t quite what it seems and after some greed soldiers accidentally release an ancient evil the troops begin to get killed in horrible ways. Sturmbannführer Kaempffer (Gabriel Byrne) is sent in to get to the bottom of it, assuming rebellion by the locals. As the mystery thickens he is forced to bring in Dr. Cuza (Ian McKellen) a Jewish profess that has studied this structure. However, he has his own agenda, as does the creature that lurks within the Keep.

Tangerine Dream and the Dry Ice Machine

I can see why this film was poorly received. I can also see why it has become a cult favourite over time. It is a strange film, definitely lacking in places, but for the most part it looks and sounds great. I say “For the most part”, because there are definitely some very dated looking effects in here. But the cinematography is excellent and Thomson seems to excel with filming fog/smoke. The creature actually looks pretty cool in his various forms, perhaps most impressive earlier when he was largely smoke with a burning face. Meanwhile the Tangerine Dream soundtrack gives everything a dreamlike feel, something a lot of the cinematography leans into. The music doesn’t always fit though, but it’s always pushed to the forefront, like this is a music video.

Between the music taking center stage, the great, but somewhat surreal visuals, the over the top gore, the occasionally clunky dialogue/acting and the very weird plot this could almost be a Giallo horror. For those new to my horror reviews, that’s an Italian style horror. It was at its peak in the 1970’s and very likely Mann was influenced by it for this 1983 movie. Now, while I said the gore was over the top, there actually isn’t that much of it. It’s just when there is gore it is bodies cut in half and heads exploding. Those effects though are not quite up to it, so in some cases, frankly, it looks silly. Not a deal breaker though. At least, not if you’ve seen as much 80’s horror as I have.

Greatness Doesn’t Always Come Right Away

The Keep includes some very strong cast on paper. However, I can only really single out Gabriel Byrne for his flawless execution of Nazi villain Erich Kaempffer. That said, he actually only gets a handful of scenes and none asked too much of him. Ian McKellen on the other hand put in one of his worst performances (I’ve seen) as Dr. Cuza. It’s worth noting, this was only his second feature film (Though he had plenty of other acting credits) and his first “Priest of Love” (1981) also received criticism for his acting. It just goes to show, some of the best actors didn’t arrive on the scene ready for success. It took time. McKellen was already a successful stage actor, but it took a while to adjust to movies. By the mid 90’s he was nailing it.

But perhaps it’s not fair to blame McKellen. The dialogue here just wasn’t that great. The directing in a lot of the scenes didn’t get the most out of the actors either. But the plot too is an issue. When you have a slow, dream like aesthetic and an hour and a half run time it’s hard to fit a plot with any real complexity in and do it justice. Here we have many characters that could have been interesting, a mystery with it’s own backstory (None of which ever really gets explained) and a series of events that requires a lot of moving parts to get to the end. On top of that, you have an entire platoon of Nazi’s to kill off. As a result, despite the many slow paced scenes, the movie feels rushed. They should have either simplified or gone for a longer run time.

Conclusion

If I were making it, I would have tried to simplify things a little so the plot doesn’t trip over it’s own legs so much and the remaining characters got a bit more development. I can’t help but think John Carpenter would have nailed this story as a director. It’s almost like it was designed for him, but Michael Mann got it instead and it is what it is. Ultimately though, I did enjoy this movie. As it stands, this is more of a spectacle than a story. Your mileage may depend on how much you enjoy Tangerine Dream and dry ice machines. Apparently that is exactly what I enjoy and so I’m going to rate it at a slightly generous 6.5/10.

Rating: 6.5 out of 10.