Alien: Earth (2025) Episodes 1-3

While I don’t normally review TV shows, I simply have too much to say about the new Disney Plus Alien franchise show from Noah Hawley, to just let it slide. So this will be a discussion and review of the firsts three episodes. I may do an update after episodes 4-6 have landed. This will have spoilers, but nothing major (Because there isn’t really anything major to spoil yet).

Alien: Earth is the tenth and latest live action entry in the Aliens franchise (Including the two Predator crossover movies). This is a franchise that really doesn’t feel like it’s on it’s tenth entry, but it’s worth noting that SIX of these entries are prequels. Five entries are set before the original Alien movie and one is set in between that and it’s sequel, Aliens. To be fair, two are the Predator crossovers and those are very much in a different continuity (Especially since Xenomorphs shouldn’t exist before the events of Prometheus). However we still have four prequels and the issue that the franchise hasn’t actually moved forward in time since “Alien Resurrection” in 1997. Ridley Scott’s prequels at least had a reason to be prequels.

Synopsis

So following on from the mild box office success and equally mild viewer disappointment of “Alien:Romulus” (Set between Alien and Aliens), we have another prequel. This time set before any of the main series films, including the original. Technically this TV show is the follow up to Alien: Covenant (Set 16 years after the events in that film). The story begins with a Weyland-Yutani space ship crashing down to Earth after the dangerous alien lifeforms it was transporting for study break out of containment and cause havoc. The vessel crashes into a territory controlled by a rival corporation, immediately causing a conflict.

The rival corporation, “Prodigy” (A bit of an on-the-nose name for a new corporation created by a child prodigy), seems to be primarily interested in creating androids with human consciousness. Their technology limits them to working with children and so they take terminally ill children and effectively grant them immortality by giving them adult android bodies. Sticking with the painfully on-the-nose theme, their research center is called “Neverland” and the first child transferred to an android is named “Wendy” (Sydney Chandler). Of course the story of Peter Pan was about children not wanting to become adults, while here the children are forced into adulthood early and for all eternity. But no doubt they thought they were being clever with the reference.

The Global Mega Corporations

It’s worth noting the Weyland-Yutani Corporation has a very minimal presence in this story despite it being their space craft. The focus is far more on the new Prodigy corporation invented for this show. This of course gives the writers a chance to explore new ideas without impacting canon too much. However it must be noted, it does still impact canon and they would have had far more freedom had they simply not made this a prequel. So while the movies focus on Weyland-Yutani’s story, the awkwardly named “New” corporation will now have a retrospective presence throughout the first four Alien films and Romulus.

It’s also worth noting that the exposition thrown in to the opening scene is an major lore change for the Aliens universe. Previously while corporations were obviously powerful and dangerous in this universe, the Earth wasn’t ruled by “The five mega-corporations”. This is a new (Somewhat generic) Dystopian addition to the lore of the universe and it does significantly re-frame the previous movies. Now the blue collar crew of the Nostromo were never just regular working people, they were people oppressed by a mega corporation that routinely sacrificed human life for the corporate good. In that regard the actions of their android Ash are no longer surprising in any way.

Aesthetics

Exposition dump and lore change aside, the opening scene of the first episode is actually a high point. The scene displays the effort that has gone into set design and wardrobe. This pairs off well with a soundtrack clearly inspired by the original Alien. This was a very good start even if I found the exposition a bit too obviously. I also noticed the “One of everything” diversity in the casting, this is present throughout the show. Not a deal breaker for sure, but even in the future it seems unlikely every group of people will have an exact balance of gender and ethnicity. Overall the opening was good up until the point the Xenomorph appeared. The problem here was it really moved like a human being and looked non-organic.

Now I am fairly certain this is a CGI alien, so the movement must come from the motion capture and it’s odd how they must have gone to a lot of effort to have the Alien totally fail to move in an alien like manner. Why even do motion capture for such a creature? The fact that when you see the Alien up close it looks like it’s made of rubber and the end result if you have a CGI Xenomorph that looks like a dude in a rubber suit. Not good. He brute forces his way around the place like Jason Voorheese. It is rare in this show (So far) that the Alien actually acts like the Alien monsters we know.

Creatures and Characters

What does add some welcome variety to the show though is the presence of additional aliens and for me, while their CGI effects are also somewhat lacking, they are the most interesting aspect of this show. Outside of the Engineers and proto-xenomorphs, we haven’t seen other alien lifeforms in the Aliens series. It’s also not something that is likely to damage canon . I especially liked the Eyeball Spider thing that pops up in episode two. It’s worth noting though none of these creatures are very much sidelined in the story. By the third episode it seems their role may even be totally done with for the series now. If that is the case, that would be a waste.

Character wise I am only really interested in Timothy Olyphant android scientist and Babou Ceesay cyborg (And sole agent for Weyland-Yutani). I don’t find the human children in android bodies at all interesting, nor do I care about Wendy and her still human brother Joseph. Those two are meant to be the shows protagonists but they have very little chemistry or conflict (With Joe accepting Wendy as his sister very quickly). They are both fairly bland characters with little in the way of agency outside of Wendy’s desire to reunite with and protect her brother. I find the whole idea of having android’s with human consciousness as your primary focus a bad idea as it essentially turns this into superheroes vs Aliens.

Superheroes Vs Aliens

The biggest problem with the show is there are no real stakes. As a result there is little to actually generate fear or tension. The show has to entirely rely on the atmosphere it can generate with the aesthetic because they neutered the story. As a prequel, we know this isn’t the end for The Earth. Indeed we know that it had so little impact that Ripley and friends had no knowledge of the incident. This leaves the show caught between plot holes and being too neatly wrapped up. Neither is good. But add to that how most of the people now facing the Aliens are superhuman android hybrids and we have very little actual threat at all. This reduces tension and fear. Last but not least, I simply don’t care about these characters. All I have left is enjoying the aesthetics.

The first episode featured most of the good material so far. I was dazzled by the set design. The hybrid android stuff dragged the pace and the episode felt generally slow, but it was a solid start. The Xenomorph was a bit strange, but at least we got to see it. The second episode was a step down. Directing became sloppy and the Alien continued to look and act wrong. A couple of good scenes avoided total disaster, but overall it was disappointing. Episode three improved marginally and we actually got a lot of character development. But it also had a Xenomorph dealt with far too easily and totally off screen. The creature is still moving like a guy doing motion capture. Most annoyingly though, just as it was looking like things were going to really kick off, instead they hit a reset button and slowed things down again.

Conclusion

It’s now clear these first three episodes are effectively a prologue. Which means the pace is very unlikely to pick up. Alien: Earth is a mixed bag. They have definitely got some things right, but they got a lot wrong too. The pacing is a big issue, but somewhat expected as a TV series. A larger problem is the decision to make this a prequel. “Alien Resurrection”, which is still the last Alien film continuity-wise, ended with a ship with Aliens on crashing to Earth. This series could have been a direct follow up to that with only minimal changes. Instead they made it a prequel and that seems to add nothing of value while making almost every creative event in the show a canon violation, many of which will be deal breakers for fans.

The one thing I can never accept is when a new franchise entry does something that diminishes the original and most loved films. Those original franchise entries that everything else is built on top of. This show appears to do that. But we won’t really know how bad until it is over. For now it is just above the line where I am willing to stick with it. The set design is great. The world building is interesting, though often feels like a different science fiction series and not Alien (It’s very Cyberpunk). That world building also becomes a negative when it messes with canon. By episode three the characters are actually starting to develop some personality, though I can’t say I like them just yet.

Ratings and Recommendation

In my view if you are a more casual fan, you may well enjoy this show. Providing you don’t mind the slow pace. If you are a big Aliens fan though, you may want to hold off for a bit until the series is all available. Then we can assess just how badly it violates canon and if the Xenomorphs finally start acting more like the cunning, stealthy monsters they are. My ratings for the episodes so far:

Episode One6.5/10 – Mostly good due to the aesthetics, but some questionable effects, plot choices and pace.
Episode Two5.5/10 – Sloppy Seconds, still slow, but getting goofy in places too. Cool eyeball spider though. Lots of gore.
Episode Three6/10 – Disappointing fight between android and Alien concluding off screen. The show is getting even slower, but at least the characters are showing some personality.


Series Average = 6/10 – Slow and inconsistent with major canon issues. However excellent set designs and aesthetics and a plot that I am at least curious to see where it goes will keep me watching… for now.

Rating: 6 out of 10.

Alien: Romulus (2024)

October may be over, but I have one more horror review for you before I move on to other things. This one comes a little late, but unlike others I wasn’t overly enthusiastic about this movie. I’m talking of course about the latest addition to the Alien franchise “Alien Romulus”. The trailers had some cool visuals but I had my doubts that this would be anything but a less good version of Aliens, updated with a few modern cliches. The movie is from director Fede Alvarez and written by Alvarez and Rodo Sayagues. It stars Cailee Spaeny and David Johnson with support from Isabela Merced,

Aliens: Romulus is set between the first two Alien films, which is a little strange on the surface but does fit with the trend of going back to the original movie in these franchises. What is unusual here is it’s not a retcon sequel, everything else is still canon. The story follows colonist Rain Carradine and her friends as they attempt to escape their apparent indentured servitude to the Weyland-Yatani company at a mining colony. To do this their plan is to break into an abandoned space station that is orbiting the planet and steal the left pods so they can utilize their cryo sleep capsules and reach another colony. Unfortunately for them the space station was abandoned for good reason as this outpost has been used to experiment on the infamous Xenomorphs.

In Space No One Can Hear Your Callbacks

I predicted what this film was going to be back when it was first announced. That is basically the same as “Prey” (2022) but for the Alien franchise. A watered down less good version of the movies that worked with endless references from those better movies put in simply for the sake of it. Not a bad movie as such. but it’s like watching a tribute band perform the greatest hits of your favourite artist. The music is good, but given the choice I’d always rather watch the real thing. That’s the difference between tribute bands and this kind of safe overly meta sequel movie, you can’t always see your favourite band. You can however always see your favourite movie. So movies like Prey and Romulus are things you watch once and then go back to only re-watching the first two movies as you have been for decades.

What I didn’t realize was just how much of a greatest hits Romulus would be. It doesn’t just reference the first two movies, it throws callbacks to the more divisive ones. When it does reference the first two movies it lays it on so thick it takes you out of it. This is the very definition of “‘Member Berries”. It is not “Nostalgia done right”, these things are shoehorned in. Actually the elements from the divisive movies are actually done better than the ones from Alien/Aliens, because they do service the plot. This is not a movie created to do something new or interesting with the franchise, it is one designed to get bums on seats in the theatre with little care for if anyone will remember the movie in five years time.

Alien Queens Greatest Hits Vol 2

Nostalgia bait is one thing. But what about the movie in it’s own right? Well, on the positive the music and the sound design are fantastic. I really did enjoy both those elements. Indeed the only callbacks to older movies I liked were the musical ones. Visually the film is mostly good. I say mostly because there is one bit of horrendous CGI. Naturally, this is tied to the pointless nostalgia call backs. The characters inclusion is itself a dumb and lazy plot element but the CGI just makes it embarrassing. Unfortunately, the character is in the film throughout. One of the worst callbacks to past movies includes a particular type of Alien. While the concept is still bad, I think this version looks marginally better.

The characters are a strong weakness for this movie too. Indeed these are just the dregs from an overly dystopian colony that is typical of the unimaginative modern view of the future. In Alien and Aliens while the company had nefarious goals, there was no indication that this film was set in a dystopian future. The crew of the Nostromo were just blue collar working Joes/Janes. They weren’t oppressed, they just weren’t pampered. Romulus though launches us instantly to a universe where the company effectively has slaves, who have no control over their destiny. The Company meanwhile have moved on from nefarious to full mustache twirling villainy. That makes the universe no longer feel real. The characters themselves have no real background to pull from and so feel generic outside of Andy the android and he’s not that much better.

Conclusion

Ultimately this is a movie that does nothing for the franchise. It is pretty, it is loud. Indeed one may say it is full of sound and fury yet ultimately signifying nothing. It has an extreme deficit of creativity and relies on nostalgia and callbacks. I originally thought this would be like Prey, but in many ways it’s more like “Terminator: Dark Fate”. It’s nowhere near as bad, nor does it remove the older films from canon. It does however repeat the same mistakes from those movies that derailed the franchise previously. That said, I did enjoy Romulus more than Prey (Or Dark Fate). That is mostly due to the visuals, sound design and music. It’s not a strong entry in the franchise, but it makes a reasonable popcorn movie. This is a 5.5/10.

Rating: 5.5 out of 10.